In Coralie Fargeat's brand-new feminist horror motion picture The Substance, hazardous popular beauty criteria are the actual creatures. They (female objectification, the fingertip of "the outdated," the expansion of a field built on body system customization) feed a monster of a pattern that leads Demi Moore's fading TV individuality https://heathledgernews.blgwiki.com/960933/the_substance
Margaret Qualley The Substance
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