• TERTIARY Colours—olive And sage, ochre, terra cotta and russet, peacock blue—were being favored, a palette motivated by William Morris’s revival of medieval formulation, and from the subdued but crystal clear tones of Japanese woodblock prints. The Japanesque was certainly propelled through the “opening of Japan” by Commodore Perry’s celebrated https://www.watchesworld.com/exploring-the-aesthetics-of-dial-design-and-decoration/